Sunday, May 27, 2007

Unia from Sonata Arctica: A More Commercial Triumph


“It's hard for me to love myself right now
I waited, hated, blamed it all on you
It's hard for me to love your face right now
I'm waiting, hating, needing, being me
I need you less and less
And every day leads us farther away
From that moment
It's hard for me to hate myself right now
Finally I'm understanding me
One day we may have whole new me's and you's
But first I need to learn to love me too.”
--from Paid In Full by Sonata Arctica

Sonata Arctica’s latest CD is Unia.

This is a bit of a departure from their usual Power/Melodic Metal to a more commercial mainstream. Still, it works on many levels.

Quite frankly, it seems to me that the Fins have borrowed a page from Kamelot’s successful and commercial release of Black Halo.

The albums starts with an up-tempo number: In Black And White—the pure speed of the band and the intricacies of how they play is duly noted. The band follows with the first “single” Paid In Full, as the lyrics at the beginning note: this is the song of redemption for leaving a relationship after feeling the pain and blame. Hits a bit close to home for me personally right now going through a separation (and I must admit that do not HATE anyone), but it rocks and moves and sounds fantastic. For The Sake of Revenge is perhaps my favorite track on the album, although I am sure that will change. There is a serious tone and a “feel” to this one that is different from many other Sonata Arctica songs. This is perhaps their most introspective.

Many of the other songs are in the vein of Broken from Winterheart’s Guild. They seem to sway and flow and then show the metalesque quality of Power metal. The song Caleb is kind of odd to be honest, haunting and creepy in the beginning, and then turns into a thundering moment. I am really not sure how to take it, but it is different. Harvest and World’s Forgotten soar towards the end of the CD, Fly With A Black Swan is one of the heaviest on the CD and I think a great choice for a second single would be Good Enough Is Good Enough: a great retrospective moment.

Critics have hit this one for being too soft and too much “marked at a commercial market,” but to be frank, this could very much be a breakthrough album for the band. I have played it for five days straight in the car thus far and I can attest that it grows more and more interesting with repeated listens.

Sonata Arctica’s Unia Track list and lyrics hyperlinks:
1) In Black And White

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And now, for a quick free plug of fun.

If you like older metal (and hey, who doesn’t?), I just received an email from my correspondence friend and my favorite metal writer Martin Popoff that may be of interest. Martin has written the BEST Metal Guides and Band Books on the Planet. His BOC and Black Sabbath books are interesting, fun, and just beautiful to look at. He has also written excellent books on Rush, UFO, Dio; as well as the Top 500 Metal Songs, Top 500 Metal Albums, and Guides to the 1970s and 1980s Metal.

He is also a good guy.

To quote from Martin’s email:

It’s been a long time since I’ve had a new book …It’s almost like an academic journal, the very first of a series, the intention being a little library of similar books covering a pretty big chunk of metal history.

Ye Olde Metal: 1968 To 1972

The Concept:
Detailed examination of early hard rock albums, many lost to the sands of time, some merely in need of a celebratory re-visit. Primarily through the use of new, exhaustive interviews with the band members who were there – the focus being on one classic album - Martin meticulously pieces together the complete story of each album, lending his respected critical eye to the record, massaging in bucket loads of trivia previously unpublished.

The Records:
Blue Cheer – Vincebus Eruptum, MC5 – Kick Out The Jams, Sir Lord Baltimore – Kingdom Come, Bloodrock – Bloodrock, Warpig – Warpig, Cactus – One Way… Or Another, Mountain – Nantucket Sleighride, Uriah Heep – Look At Yourself, Nitzinger – Nitzinger, Dust - Hard Attack, Humble Pie – Smokin’, Buffalo – Dead Forever…, Captain Beyond – Captain Beyond, Trapeze – You Are The Music… We’re Just The Band.

The next one in the series will cover the years 1973 to 1975, and I’m working on it already.

The book is full trade size 6” x “9 format, 230 pages, and includes front and back cover shots of all the records discussed.

Contact Martin Popoff at: martinp@inforamp.net if interested. You can also check out his website from my links below.

Hope to hear from everyone reading this post and/or other posts in the blog responses.

Sunday, May 13, 2007

Radio and Power Metal


I must be freed or I will die before the harvest moon, my friend.
I do not have another year in me, you've gotta set me free.
The dream is alive, I can run up the hills every night,
Go around and see another side of the tree.
Freedom has a meaning for me, howl with me.”

--Sonata Arctica from The Cage, from the LP Winterheart’s Guild, 2003.

Not to highlight a band this week, I thought I would explain a slight advantage of AOL.

No, really.

Many of you have heard me rail against corporate America (Time/Warner owns AOL) on my major blog site (see below’s link list).

Not this time, though.

AOL Radio has some XM sites and a few of their own. In fact, AOL has the most comprehensive metal stations available. My favorite, when searching the net, is to play Power Metal. In the space that it is taken me to type this and this morning while surfing, I have heard Manowar’s Odin’s; Iced Earth Star Spangled Banner; Stratovarius’s Kiss of Judah; Avantasia’s Chalice of Agony; Blind Guardian’s Myth; Rhapsody’s Erian’s Mystical Rhyme; Hammerfall’s Heeding The Call; something from Elvinking I do not recall; Stratovarius’ Black Diamond; A live track from Sonata Arctica; Sonata Arctica’s The Cage; Dragonforce’s Pound and Ground; Edguy’s Super Heroes; Kamelot’s Karma and more.

This shows a great mix of various incantations of power metal.

I usually will find a group I have not heard of previously by playing this channel. For example, Wuthering Heights—a great band—was found on this station. I am not sure of the cut, but they played one from The Shadow Cabinet. I immediately ordered it from Den at Sentinel Steel (also see the Links List below) at a great discount.

So if you have AOL Radio, the commercials at a minimal, they know their metal—take a chance.

There is a Classic Metal Station; Liquid Metal Metalcore; Metal Moshpit; Hair Metal Death Metal; Black Metal; All Slayer; and All Metallica stations.

Now if I could only download it at work, my life would be more complete.

Sunday, May 6, 2007

The First Metal Album: Deep Purple In Rock, 1971

“Saturday night and I just got paid…
Gonna fool about ain't gonna save.
Some people gonna rock some people gonna roll…
Gonna have a party to save my soul.
Hard headed woman and a soft hearted man…
They been causing trouble since it all began.
Take a little rice take a little beans…
Gonna rock and roll down to New Orleans.

I'm a speed king--you go to hear me sing;
I'm a speed king see me fly.”

--Deep Purple “Speed King” from In Rock, 1971.

So what is the first “metal” group?

I was rewatching Sam Dunn’s Metal: A Headbanger’s Journey the other day and I was trying to piece together the first groups and songs.

Blue Cheer’s Summertime Blues is too Psychedelic for me. I would also add that whenever I hear it, I think of The Who.

Steppenwolf’s Born to Be Wild is too “biker bar/Harley” for me. I think the term may have gotten a nod from the song, but this is like saying Muddy Waters was the first rock artist because he used the term rock and roll.

Dunn’s approach, as with many band members, was that Black Sabbath was the first; but I would argue that Deep Purple’s In Rock, Fireball, and Machine Head were actually the first Heavy Metal Albums by the first Heavy Metal band—even though they have a keyboard—sorry Jon Lord.

Deep Purple’s greatest album, In Rock, has the quintessential “Speed King;” truly the first sustained speed metal rocker that clashed through the speakers with speed and crunch. It also contains Blood Sucker and Child in Time. Both simply rock hard—with Child in Time being the first Metal Anthem. Flight of the Rat is not my personal favorite, but it follows the pattern and Into The Fire, Living Wreck, and Hard Lovin’ Man truly make this the first classic of the genre.

This is nothing to do with Black Sabbath and is not meant as an insult to Sabbath, but this is the sustainable album that churns and offers glimpses of speed dominance, power chords, a high pitched vocal, and heavy thudding rhythm sections against the backdrop of Ritchie Blackmore’s fantastic guitar solos.

In Rock is an album all rock fans and Heavy Metal fans can agree upon.

“Come taste the band” (a latter effort by Deep Purple) and enjoy the first TRUE Heavy Metal classic album: Deep Purple In Rock, 1971.

Deep Purple: In Rock, 1971
Speed King